Aveniqa Showcase
@aveniqa_showcase
Four fantasy scenes shared together by MachineLanguage turn impossible things into everyday acts: guiding rain clouds over rooftops, dyeing linen with dusk, a selkie looking back beneath the moon, and a clockmaker tuning a stone pendulum beside tidal pools. Each image has its own creator-provided prompt, with treatments ranging from photographic texture to decorative illustration and aged-paint surfaces.
@EdmunDul style illustration, a 25-year-old woman herding small rain clouds across the flat clay roofs of a desert town at dusk. Full shot from a slightly high angle, looking down across the rooftops. Foreground: she stands at the parapet, guiding a flock of five plump grey-blue clouds with a long shepherd's crook, a fine drizzle falling from each onto potted fig trees and copper basins set out on the roof; a calm, attentive gaze. She wears a saffron wrap skirt, a short indigo jacket embroidered with silver stars, a fringed shawl and soft red slippers. Midground: a square windcatcher tower with latticed vents beside a turquoise tiled dome. Background: terraced roofs stepping down to palm groves and a band of dunes under a deep lapis sky with a thin crescent moon. Light: the last amber glow of the low sun from the right, soft and warm, cool violet in the shadows. Composition: the clouds form an arc that frames her head and leads to the dome. Palette of lapis, saffron, turquoise and plum, jewel-toned and flat. Watercolour and gouache washes with a fine pen outline and stippled pattern. <lora:EdmundDulac_krea2_3265448_epoch_10:1.0> <lora:krea2filterbypass3:1.0> Medium shot from a slightly low angle of a 25-year-old woman, a dyer, lifting a dripping length of linen from a round stone vat in an open-air dye works on a dry hillside. The vat holds liquid evening sky in place of dye: a slow violet-to-apricot gradient with small cumulus clouds drifting across its surface. The linen comes up stained with the same dusk and a single pale star. Foreground: the vat's chipped limestone rim and her bare forearms, dry matte skin. Midground: rows of identical sky vats, each one a different hour, from noon blue to midnight. Background: drying lines of dusk-coloured cloth strung between cedar poles against bare ochre hills. She wears a rust canvas apron over an undyed cotton shirt with the sleeves rolled, and has a calm, focused expression. Light: low late sun from frame left, hard, warm 3400K, rim-lighting the hanging cloth. Composition: the drying lines run as diagonal leading lines to her face. Palette of ochre, rust, violet and apricot, gentle warm grade. Analog photograph, 50mm lens at f/2.8, Nikon F3, Kodak Portra 400, heavy grain. <lora:FeverDreamKrea2_c1-st4000:0.8> <lora:krea2filterbypass3:1.0> @EdmunDul style illustration, a full shot from a low angle at the waterline of a black-rock skerry off a northern shore at night. A 25-year-old woman, tall and slender, stands on its crown clasping her folded, dark-spotted silver sealskin to her chest, looking back over her shoulder toward the shore with a calm, unreadable gaze. She wears a long undyed wool shift banded at the hem with faded blue embroidery, black hair loose to her waist, bare feet, dry matte skin. Grey seals on the lower ledges raise their heads toward her, and far off to the left a crofter's cottage shows one lit window under black hills. In the foreground, wave crests curl into stylised claws of foam, sea pinks in the cracks of the rock. A high full moon behind her is a hard, cool silver key rimming her hair and the sealskin, the cottage window one warm gold point. Her silhouette on the right third, the skerry's slope a rising diagonal. Ultramarine, silver and sea-green with one gold accent, low-key values. A quiet farewell. Watercolour with a fine outline, flat graded washes, dry-brush stippled stars, lost and found edges. <lora:EdmundDulac_krea2_3265448_epoch_10:1.0> <lora:krea2filterbypass3:1.0> a heavily textured, surrealist painting in the style of remedios varo. A 25-year-old woman clockmaker, seen at full length from a slightly high angle, sits at a narrow workbench on the rocky floor of a tide pool cave. The sea has drawn back, leaving clear pools around her. In the foreground, a shallow pool holds brass gear wheels that turn slowly with the water, among anemones and ribbed shells. In the midground she tunes a tall clock whose pendulum is a swinging tide-pool stone, holding a fine tweezer, her face quiet and intent. In the background, the cave's arched mouth shows a pale green sea and a low moon pulling the water outward. She wears a long ochre hooded cloak with folded panels and copper buttons. A cool silver light from the moon enters from the back right and casts long soft shadows toward the viewer, with warm umber shadows in the cave. A spiral composition runs from the gears to the pendulum to the moon. The palette is ochre, verdigris, umber and moon-silver, with a muted, aged varnish grade. Fine tempera glazes with crackled egg-tempera texture. <lora:Remedios_Varo_Style_KREA2_V1:1.0> <lora:krea2filterbypass3:1.0>
—